Showing posts with label comics. Show all posts
Showing posts with label comics. Show all posts

Sunday, June 17, 2007

Movie Review - Fantastic Four; Rise of the Silver Surfer














Even though I read a lot of comics growing up (and I mean a lot) Fantastic Four was never really on the top of my list. I was more of an X-Men junkie. But when I did get a chance to breeze over a Fantastic Four book, what always pulled me in was the dynamic between the four members. Although over the years, the Fantastic Four have been through many incarnations, the core group of Mr. Fantastic, Invisible Women, The Human Torch, and The Thing have always been the 4 are what has made the comic so wildly popular since the early 60’s. It isn’t really the adventures they go on, or the intergalactic superbeings they cross, but the relationship between the 4 teammates that have made them so appealing; the mix between borderline soap opera drama, and comic relief banter that make not only for a perfect “comic” comic book, but fit perfectly into a big budget no-holds bar, Blockbuster, action movie.

With that said, it is for this reason I defend the Fantastic Four movies, and can also attest that Fantastic Four; Rise of The Silver Surfer is one of the best “comic” comic book movies to come out in a long while. The first Fantastic Four (2005), was mediocre at best, but did succeed at setting the right tone for the characters. If you disagree with this, go find the Fantastic Four film they tried to make back in 1994 directed by Oley Sassone. Now there’s a travesty on film. Although some will argue, I think the best thing about the current Fantastic Four movies is that the writers, as well as director Tim Story, keep the tone lighthearted. Unlike big movie missteps Daredevil, Ghost Rider & The Punisher (characters who were suppose to be serious, dark, mysterious and brooding, but were treated like sideshow acts in each respective film) The Fantastic Four movies are suppose to be campy and lighthearted. I feel like if they tried to make the characters to overtly serious they would be disrespecting the heart and legacy of the characters. So for all the naysayers who can’t stand the movie for it's camp factor, you probably wouldn’t be able to read a Fantastic Four comic book for the same reason.

Fortunately, Rise of the Silver Surfer balances the camp and the seriousness just right, to where exposition moves out of the way for some decent action sequences. So in a nutshell, a being from outer space (The Silver Surfer) comes to earth basically to decide whether earth is suitable to be devoured by a planet eater named Galactus (he’s a whole ‘nother story). Turns out our planet is quite delicious and Galactus is ready to feed, but once our Government’s spy satellites catch the Silver Surfer in action, they go running to uber-scientist Reed Richards (Mr. Fantastic) to help find out what kind of threat our country is dealing with. Of course this directly interferes with Reed marrying Sue Storm (Invisible Women/Jessica Alba) which gives the story it's nice, little conflict. Just as in the comics, Reed has to decide whether to choose his extraneousness work in the laboratory or spend quality time with Sue. It is this conflict that has been a problem for Reed since his inception by Stan Lee himself. As the plot moves forward, Reed, with the entire earth depending on him, works in secret to find out what the Silver Surfer is up to. It is this superhero paradigm, selflessness over selfishness, that plays a very important role throughout the course of the film resulting in some incredibly successful scenes .

This underlying theme plays a crucial role in the socially conscious script. Like in the comics, the Fantastic Four are big celebrities, and in today’s world where celebrity life is followed more closely than religion, the biggest news isn’t the Silver Surfer's arrival, its Sue & Reed’s weeding. Where the rest of the team ignore their celebdom, Johnny Storm (Human Touch) fully embraces it, wearing sponsorships on his uniform (like a NASCAR racer) and constantly craving media attention. Also the US Government is played in fascist order by General Hager who makes demands of Reed to help find and capture the Silver Surfer. Eventually he also enlists Victor Von Doom to work with Reed and help motivate him to work faster. Although initially the enemy seems to be Silver Surfer, as he is finally captured and tortured by our Government, we learn that we are in fact the deviant ones. It is only through the kindness of Sue Storm and the gentle nature of the human heart that we find a resolution.

I believe this is a subtle jab at both our current bullying governmental policies, our ultra-celebrity obsession, and how they are both deferring us as reasonable human beings. In a way the writing of the script and the initial storyline by Stan Lee have always been a cautionary tale. What if a grand being not from our world was to bring on the Apocalypse? Would we be worth saving? Not unless we change our boorish behavior and not if we continue to act selfishly and not selflessly. The reason why the Fantastic Four are so, well, fantastic, is not because they have their superpowers, but because as a team they are willing to give up their lives, their selfishness, for a higher cause. And this is the lesson we are being taught in the movie. Sue says to the Silver Surfer when asking him to spare the planet, “There’s always a choice”. A choice to make a difference in each other’s lives and a choice to try to make our lives worth saving." This is the epic, morality tale Stan Lee set forth when he wrote this storyline in the 60’s, and it still echo’s true in this movie. And that, my friends, is why this movie succeeds and isn’t just another campy superhero action flick. See it how you may, but I think ‘nuff said.

Fantastic Four; Rise of The Silver Surfer
Rating: B+

Tuesday, February 27, 2007

Why the films Ghost Rider & Daredevil sucked it hardcore (an open letter to Mark Steven Johnson)


Dear Mark Steven Johnson,

I know you must think you have a very strong imagination to be both a writer and director, and I bet you're a real nice guy who’s fun to work with, but I just want to let you know you will go down in history as the man who ruined the mystique and grandeur behind characters such as Daredevil and Ghost Rider. Any respectable comic book fan, movie aficionado, or simply anyone that recognizes a decent film will tell you that you have failed miserably at helping these prolific characters stay respectable.

I know, it’s not all your fault. Marvel Studios, Columbia Pictures and the producers obviously are making these movies for a quick buck and not to tell an in depth, thought provoking story. If it wasn't you then it might have been some other hack director like Stephen Sommers or W.S Anderson, but unfortunately, you are the director and you are going to receive blame for accepting the role as the continued destructor of classic comic book characters.

In your new film Ghost Rider you tell the story of a man who sells his soul to the devil to gain supernatural powers. However perhaps it is you, Mark Steven Johnson who has sold your soul to the devil to help in your ascension towards becoming a big-budget formulaic, cliché and Hollywood-eske film director. Your films are the ultimate realization of how Hollywood can corrupt a genuine story for formulaic dreck. Your comic to film adaptations deviate so drastically from their original creative material, that they will always be a reminder of how big budget Hollywood films diminish strong plots, in depth character development, and coherent emotional storytelling. Yes, I understand these are comic book characters, and comics have always been bombastic and hyperbolic in nature, however both Daredevil’s and Ghost Rider’s comic book personas have real emotional depth with strong ties to relevant human regret and sacrifice. These anti-heroes remind us of our frailties and how our dark sides can control us if we are not careful. But you diminish these characters by portraying them as being comical, unrealistic, and one dimensional. Just because Ghost Rider has a flaming skull you shouldn't have to point out the obvious and allow him to say "feel’s like my skull’s on fire". This may be acceptable for comic book characters who are meant to be portrayed as satirical such as Deadpool and Hellboy, but for serious characters such as Daredevil and Ghost Rider, who have a strong history of being dark, moody, intense and relevant you're just destroying their legacy.

So here is my suggestion: please stop accepting directing roles for classic comic book characters such as Daredevil and Ghost Rider and accept roles for films your better suited for. You’re obviously very good at Hollywoodizing film plots so stick with it. Just please stay away from comic book films that should be crafted delicately with justifiable plot substance, and not just glazed over. Stick to the casual and lighthearted films you’re used to like “Jack Frost” and “Grumpier Old Men”. People need a good laugh and you sure do provide it with those oh so classy films. Believe me I am not just saying this as a comic book fan, but as a movie fan, or better yet, and fan of original, insightful, tangible, un-formulaic films. So please, on behalf of comic book fans and movie fans around the world, QUIT PATRONIZING US AND ADMIT YOU’RE A HACK. Thank you.

Sincerely,
J.Stone


P.S. I posted this rant on IMDB because you are not cool until you post on IMDB;
http://imdb.com/name/nm0425756/board/nest/67155013